JIMMIE OSBORNE Singing Songs He Wrote

Sunday, July 17, 2011


I recently went looking around the blog-sphere to see if I could find any Jimmie Osborne albums, and alas, no luck. I therefore decided to remedy the situation by presenting this LP on King's Audio Lab label. This dinner plate of a disc was issued in 1959, and features twelve tunes composed and performed by the late Kentucky singer. This is great postwar southeastern country music, Osborne's style is reminiscent of of Acuff, the Bailes Brothers, Hank Williams, etc. Unfortunately, Jimmie commited suicide in 1957 and is not as well remembered he should be.
The links below contain more biographical information:

Biography @ Hillbilly-Music.com

Biography @ rocky-52.net


Tracks:

1. The Death Of Little Kathy Fiscus
2. It's Just A Habit With You
3. Give Back My Ring And Picture
4. We Can't Take It With Us To Our Grave
5. How Many Hearts Can You Break
6. You Get The Roses, I Get The Thorns
7. God Has Taken My Flower
8. This Evil Life Don't Pay
9. I Hate To Be Jealous
10. Nag, Nag, Nag
11. Mama Don't Agree
12. The Moon Is Weeping Over You

*download here*

CHARLIE CHAMBERLAIN Singing Lumberjack

Saturday, July 16, 2011



Today marks the 39th anniversary of the passing of Don Messer's legendary "Singing Lumberjack", Charlie Chamberlain. He passed away July 16, 1972, just two days after his 61st birthday, the 14th also marked the hundredth anniversary of his birth. At the time of his death, he had broadcast with Messer on radio and later television for over 40 years, and to Canadians was a larger-than-life legend. As such, Charlie has become an almost mythical figure, about whom many anecdotes circulate, some more borne of reality than others.
Chamberlain was born in Bathurst, New Brunswick in 1911. His mother was widowed early and to assist, Charlie went to work in the lumber woods at the age of eight. In this setting he became an strong and extroverted youngster who was eager to entertain. During WWI, he allegedly sang to the soldiers on passing troop trains, who would throw coins in appreciation. While riding a train himself, a friend of Don Messer's heard Charlie warbling, and put him in touch with the radio fiddler who was looking for a vocalist. Thus began the mutually beneficial association that made Canadian musical and broadcasting history. Charlie Chamberlain performed pretty much exclusively with Messer for the rest of his career.
Chamberlain is most often recalled as an incredible character, a true "Good Time Charlie". A huge man with huge appetites, he seems to have lived his life "in the moment". Charlie preferred to receive his pay from Messer in cash, even asking for small bills which were easier to spend. He was notoriously generous, and quite freely shared his money with friends and neighbours, and although he was one of Canada's most loved and recognized entertainers, he always kept a day job. During the sixties, when Don Messer's Jubilee was pretty much the highest rated TV show in Canada, many a motorist was shocked to have Charlie pump their gas at a service station in Lakeside, NS.
Modern accounts of Charlie often imply his talent was more as an entertainer than a singer, and by the TV years, which are most remembered, the years of hard living had definitely taken a toll on his voice. The early recordings here, however, show that in his prime, Chamberlain was a formidable radio crooner. I have always felt that the Don Messer band in the thirties and forties was sort of like a northeastern equivalent to what Bob Wills was in the southwest; a popular dance band rooted in the local fiddling tradition that nonetheless could play whatever dancers might request, modern or otherwise. This makes Charlie a hard singer to peg genre-wise, here he sings pop of the day, western songs, and a great deal of Irish novelty material. Unfortunately, there seems to be no recordings in circulation of the many lumberjack ballads for which Charlie was noted in his early radio years.
Tracks 1-12 in this collection are drawn from 1940s Apex label 78s and radio transcriptions, and track 13 is a 1958 radio performance. Chamberlain is backed on these by Don Messer and his Islanders. Tracks 14-23 are the contents of Charlie's only solo LP, a collection of Irish songs first issued in 1967 on the Point label (reissued in the 70s on MCA Coral, shown below). The final track is a solo performance from a 1967 LP of hymns with Marg Osburne. On the LP tracks, Charlie is accompanied by Rae Calder at the organ.
On a personal note, I really enjoy the 78 era stuff the most, in particular "Swinging To The Rhythm Of An Irish Jig", about swing music taking over at the local ceilidh(!), and "I Had A Hat", which cleverly interpolates Miss McLeod's Reel and the Irish air Port Láirge (sometimes called "Rose Tree") in a 1940s pop context. I would like to thank Andyrama for the use of a rare Messer promo LP from which "The Broken Down Piano" and "Goin' Back" were sourced.
Incidentally, there are many great clips of Charlie on YouTube. A couple of favourites are a series of National Film Board vignettes, one of which is here, and a take from Don Messer's Jubilee of Charlie performing Acadian mouth music while Don fiddles "The Old Man and The Old Woman", seen here.
Tracks:

1. The Broken Down Piano
2. Goin' Back
3. Somebody's Thinking Of You Tonight
4. Goin' To The Barndance Tonight
5. Swinging To The Rhythm Of An Irish Jig
6. Valley In The Sky
7. I Had A Hat
8. Jack The Sailor
9. MacNamara's Band
10. It's The Same Old Shillelagh
11. Clancy Lowered The Boom
12. The Tread On The Tail Of Me Coat
13. I'm Alone Because I Love You
14. The Ballymaquilty Band
15. How Can You Buy Killarney
16. The Sweetest Music Comes From Ireland
17. That Old Irish Mother Of Mine
18. With My Shillelagh Under My Arm
19. There's Nothing Like The Smile Of The Irish
20. Isle Of Innisfree
21. The Mountains Of Mourne
22. The Stone Outside Dan Murphy's Door
23. Galway Bay
24. He

*download here*



RAMBLIN' ROSS ALLEN Memories of Hank

Friday, July 15, 2011


Featured today is a piece of Canadian country music history, the first LP ever issued on the Arc label's early 500 series, "Memories of Hank Williams as sung by Ramblin' Ross Allen" (spelled "Allan" on the cover, but "Allen" on the label and back slick). Arc Sound Ltd. was a producer of amps and P.A. equipment originally located in the Toronto suburb of Scarborough. In the late fifties they began to dabble in record production, turning out several cheap "top hits" type LPs. The release of the this album in 1959, however, marked the beginning the Arc label in earnest; it was the first in a decade long series of productions which were for the most part recorded in Toronto utilizing local talent. A majority of these, especially the earlier ones, were country. The albums recorded during this time have preserved the music of several Canadian country artists that would otherwise would be lost to the ages; the type of performers who while not national stars, would have had followings on regional radio or TV and in clubs. Arc also released many country albums by Americans who were popular and toured in Canada, including many artists featured on WWVA's Wheeling Jamboree (from Wheeling, West Virginia), heard extensively in Eastern Canada.
Unfortunately, I have very little information regarding Ramblin' Ross Allen. Unlike many Arc LPs which at least provide a locale of origin for the artist, the notes to this LP only state that "Ross Allen is one of the most promising young Country singers today." An online source provides a birth date of February 27, 1937, and he also had a self titled LP as well as some singles released on the London label. Otherwise, he is somewhat enigmatic. If anyone can provide more information on Ramblin' Ross, please contact me and I'll post it.
The present download contains the twelve LP tracks, as well as jacket and label scans including the 2nd edition of the jacket (most of the earliest Arc albums were later released with more "colourful" covers) shown below.

Tracks:

1. I Could Never Be Ashamed Of You
2. Your Cheating Heart
3. Moanin' The Blues
4. Jambolaya
5. Mansion On The Hill
6. Mind Your Own Business
7. Nobody's Lonesome For Me
8. Baby We're Really In Love
9. Two Different Worlds
10. Why Don't You Love Me
11. I'll Never Get Out Of This World Alive
12. Wedding Bells

*download here*

JIMMY NEWMAN & BILLY CARSON on Crown

Friday, May 20, 2011


Courtesy of the Attic's pal Andyrama comes this interesting 1963 budget LP on Crown, "Guest Star of the Grand Ole Opry" (CST 329). As is typical of such cheapie albums of its era, it brings together a noted artist and a mysterious one with no apparent rhyme or reason.
The first side it comprised five of excellent late 40's/early 50's tracks by Louisianian Jimmy Newman. These were recorded originally for Feature, a Lake Charles, Louisiana label owned by the legendary J.D. Miller. The sixth track in the folder was not on the LP, but is transferred from another bargain bin album, the 1967 Design compilation "The World of Country Music" (SDLP-640). I believe this is the original version of "Cry, Cry Darling", recorded in 1953 for the Khourys label, also in based out of Lake Charles. The tune was a regional hit, and became a National one when re-recorded for Dot the following year. Jimmy C. Newman went on to a career as a legendary country and Cajun singer, and was, indeed, a member of the Grand Ole Opry. It is his later success that this album seems to be intended to capitalize on.
The remaining five tracks are credited to Billy Carson, and I find them rather enjoyable. They're obviously from a later period than the Newman songs, as they're in true stereo. I am unsure if Billy Carson is the Bill Carson who was a legendary employee of Fender guitars. It seems logical, however I can find practically no reference to these recordings or song titles anywhere other than in regards to this LP; very often budget records would utilize recordings that otherwise never made it to release. It's also possible that Billy Carson was a completely fictitious identity used for this release and was not the actual artist's name! An article/obituary with details about the above mentioned Bill Carson can be read here.

On May 25, our friend "Country Boy Lance" commented that the Billy Carson on this and other Crown LPs is in fact Glen Cass. See comments for details. Thanks, Lance!

Tracks:

1. Jimmy Newman - What Will I Do
2. Jimmy Newman - Let's Stay Together
3. Jimmy Newman - Don't Say Goodbye
4. Jimmy Newman - If You Lose You'll Understand
5. Jimmy Newman - I'll Have To Burn All The Letters
6. Jimmy Newman - Cry,Cry Darling
7. Billy Carson - The Big Wall
8. Billy Carson - I'll Always Love You
9. Billy Carson - Just In Her Way
10. Billy Carson - Window That I Look From
11. Billy Carson - Lost Vein Of Love

*download here*

COON-SANDERS NIGHTHAWKS Radio's Aces


A bit of a departure from my recent posts, today I feature the legendary Joe Sanders (1896-1965) and Carleton Coon (1894-1932), who led one of the first widely successful radio bands, the Nighthawks. Legend attributes their collaboration to a chance meeting while trying out sheet music in a Kansas City music shop, a meeting which led to the formation of the "Coon-Sanders Novelty Orchestra". The group struck pay-dirt in 1922 when they began a series of late night broadcasts on WDAF originating from Kansas City's Muehlebach Hotel. Re-christened "The Nighthawks", the band began a decade long run that carried them to Chicago, and eventually New York. A very "publicity oriented" organization, the Nighthawks astutely exploited the new medium of radio, with stunts like setting up a ticker-tape machine on the bandstand to register requests during broadcasts. At one point the band traveled to engagements with each member piloting his own expensive Cord automobile.
Despite such flamboyance, Coon and Sanders' exiting, highly detailed music was the real basis of their popularity. The orchestra set a very high standard for the era; the Nighthawks were a disciplined collection of solid musicians, both men were exceptional vocalists, and Sanders' skills as a truly gifted and inventive composer/arranger gave the band a quality that is still evident on their recordings today. The Nighthawks' fame, influence, and legacy may have continued beyond the "roaring twenties" if the hard-living Carleton Coon had not succumbed to complications from blood poisoning in May of 1932.
While never again achieving the success of the Nighthawks, Joe Sanders continued to work, leading respectable Orchestras until retiring in 1959. The pictured "Radio's Aces" LP was in preparation when Sander's passed away in 1965, and released later that year. It features sixteen of the band's Victor recordings, some of which used alternate masters to the original 78rpm versions. Also included in this post is a small run 1974 LP featuring a 1945 broadcast by Joe Sanders' Orchestra on Coca-Cola's "Victory Parade of Spotlight Bands". This performance provides an interesting contrast to the Nighthawk's 1920's work, while the latter is of course more subdued, we do hear a flash of the old energy on Sander's vocal performance of "Is You Is Or Is You Ain't My Baby?". The seconds side of this LP features an appearance on the same series by the Orchestra of Henry King, more about whom can be found here.

Coon-Sanders Nighthawks
"Radio's Aces"

Tracks:

1. Here Comes My Ball And Chain
2. I Ain't Got Nobody
3. Little Orphan Annie
4. Darktown Stutter's Ball
5. High Fever
6. Alone At Last
7. Tennessee Lazy
8. Deep Henderson
9. Alone In The Rain
10. Wabash Blues
11. What A Girl!What A Night!
12. Keepin' Out Of Mischief Now
13. Roodles
14. After You've Gone
15. Sluefoot
16. Rhythm King

includes jacket and label scans

*download here*

Joe Sanders & His Orchestra/Henry King & His Orchestra
"Victory Parade Of Spotlight Bands Volume 4"

1. Joe Sanders - Part 1 - Honeysuckle Rose, Wish You Were Waiting For Me (Joe Sanders - vocal), Saturday Night (Mary Malloy - vocal), In The Middle Of Nowhere (Joe Sanders - vocal)
2. Joe Sanders - Part 2 - Is You Is Or Is You Ain't My Baby? (Joe Sanders - vocal), Don't You Know I Care? (Mary Malloy - vocal), Blue Skies3. Henry King - Alexander's Ragtime Band, (medley) The Day After Forever, There Goes That Song Again (Virginia Jackson - vocal), Tico Tico, (medley) Waiting, Don't You Know I Care? (Tommy Smith - vocal), You've Got Me Where You Want Me (Virginia Jackson - vocal), Why Don't You Kiss Me? (Tommy Smith - vocal), Accentuate The Positive (Virginia Jackson - vocal), Tea For Two

includes jacket scans

*download here*

SMILIN' JACK SILVERS OK Jamboree

Saturday, May 14, 2011


Back in November of 2008 I posted an LP by Smilin' Jack Silvers and his Sons of the Plains (click here). I knew nothing about the album or the artist, other than that it was superb. I mentioned in the post that if anyone knew anything about Smilin' Jack to drop me a line. I'm glad I did, as I not only learned a good deal about him, I was able to obtain the audio recording of one of his TV broadcasts that I now (finally!) present here.
All in all, I exchanged emails with four people, three of whom played with Jack, and two of whom played on the LP. It started when I received an email from Gerry Forget, who's former brother-in-law was Bob Vall ée, the group's fiddler. He in turn put me in touch with Terry Sutton, who played steel with Jack. I also received an email from Bill Gokey, who played bass and banjo.
Rather than rewrite Jack's story, I'll reprint some excerpts from the emails, so you can learn the story as I did:

Gerry Forget

"My former brother in law (Robert "Bob" Vallée) was a member of the group "Smiling Jack Silvers' Sons of the Plains" for a time. I remember this from when I was 6 or 7 years old. They used to have a TV show from Cornwall, Ontario way back then that was called OK Jamboree...

I remember meeting Jack and hearing the band play. I also remember meeting Dusty King Sr. who was very popular. This was very, very good to listen to.
Another very good local musician from a slightly later time was Johnny Mooring, that I heard playing many times along with my wife of many years. He met an untimely death in, I believe, 1974 during an attack after a gig...

I made a few calls to my sister today regarding the band to check my recall as a young boy. Smilin' Jack's birth name apparently was Leo Boisclair. Some of the other members of the band besides Bob Vallee (fiddle) were Terry Sutton (steel guitar- can be heard on the Stone-Canyon web site), Don Mitchell, Dollard "Vic" Huneault (bass).
In the early '70's when I was about 18, my steady girlfriend (now my wife) used to go out every Saturday night to the hotels in the Valleyfield or Rivière Beaudette Qc. area and listen to Johnny Mooring playing (he would occasionally come over to our table because another one of my former brother in-laws used to play from time to time with Johnny). Another good (French) country singer from the area was Marcel Laframboise. We always had a good time on Saturday night, and the booze was cheap."
Bill Gokey

"Back in the early 60's I played for a brief time in Jack's band - he was from Lancaster, Ontario, and his last name wasn't Silvers. He had a weekly TV show on CJSS in Cornwall, Ontario, called "The O.K. Jamboree". Band members were: Terry Sutton (McElroy), steel; Don Mitchell, electric guitar; Dusty King (Bruce Dustin), flat-top rhythm & vocals; Bob Vallee, fiddle; and Bill Gokey on electric bass & 5-string banjo.

The show was cancelled in 1962 when CTV Network took over Channel 8 and turned it in to a satellite station.
I believe the album was cut about 1963."

Terry Sutton

"Hi, my name is Terry Sutton and I was the steel player with Smilin' Jack from 1957 to 1960-61. We started on a Cornwall radio station CKSF in 1957 as "The Sons Of The Plains" then when channel 8 went on the air we moved over to it for about two years and played Northern New York State, Eastern Quebec and many Eastern Ontario gigs...

Smilin' Jack (Leo Boisclair) was born in Cornwall Ont. but moved to the Valleyfield QC. area at a young age and lived for many years in St Stanislaus QC. I came to work for Jack from the Smiley Willette Show on Channel 5, Plattsburg N.Y. He always had good players with him and was very popular around the east. The Smilin' Jack record was recorded in the RCA Victor studios in Montreal, and around the same time Dusty King recorded an album with the same musicians, i.e. Don Mitchell on Lead Guitar, Yours Truly on Steel, Bob Vallee on Fiddle, Sandy Parr on Bass and Jack on acoustic, and as there were no drums then we had a person named "Wave" on acoustic guitar with paper through the strings to make a snare sound. I produced the album with every ones help.
I'm still playing quite often here in Connecticut where I moved in 1965, spent some years in Nashville with various artists."
Robert Vallée

"Hi Mike. Congradulations for your research on an old country album. According to the info from Terry & Bill they gave you all the info that I know. By the way, I was the fiddler on that first album."



Receiving the above information and reflections was wonderful. If that wasn't enough, Terry told me he had a reel-to-reel tape of one of the "OK Jamboree" television shows, and he was willing to send me a copy. This amazed me, as there is so little live broadcast material of vintage Canadian country kicking around. I have found this recording fascinating, to say the least.
The "OK Jamboree" was broadcast Saturday nights on CJSS-TV Cornwall, a station that had a short run, 1959 to 1963, as a private CBC affiliated broadcaster. It was sponsored by O'Keefe Ale (hence the "OK" - get it?) and fortunately the commercials are included on the recording. The guest on this episode is "Miss" Terry Parker, a fantastic singer and yodeler who's Banff recordings I will try to feature in the future. I hope you all enjoy this great treasure as much as I have.

I CANNOT THANK ENOUGH GERRY, BILL, ROBERT, AND ESPECIALLY TERRY FOR ALL THE TIME AND ATTENTION THEY GAVE ME TO SHARE SMILIN' JACK'S MUSIC AND STORY! I'M SURE MR. BOISCLAIR APPRECIATES IT SOMEWHERE!

NOTE: The half-hour show is included as a single mp3. Please be aware there is some noticeable tape drop out near the beginning of the show, a small concern considering the rarity of this type of recording.

Program:

Intro, Theme (host, Roger D.)
O'Keefe Tune
Crazy Creek (fiddle solo, Bob Vallée)
Excuse Me, I Think I've Got A Heartache (vocal, Smilin' Jack & Vic Huneault)
Please Help Me, I'm Falling (vocal, Terry Parker)
O'Keefe commercial
The Pickup Reel (fiddle solo, Bob Vallée)
Goofus (guitar solo, Don Mitchell)
Tumbling Tumbleweed (vocal, Terry Sutton & Smilin' Jack)
Personal appearance announcements
The Yodeling Bird (vocal, Terry Parker)
O'Keefe commercial
Fraulein (vocal, Terry Sutton)
Smoky Mountain Rag (instrumental, The Sons of the Plains)
O'Keefe Tune
Theme, Closing

*download here*

GRAHAM TOWNSEND on Arc & London

Friday, May 13, 2011


The response to the first Graham Townsend album I posted (World Champion Folk Fiddler) was so positive I have decided to present a few more. The majority of Graham's albums before the 1970s were on Rodeo Records' Banff label, but the present two albums, both from the early 1960s, are exceptions.
Like most LPs on the Arc label, "Fancy Fiddlin'" (Arc 576) has circulated widely and is not all that difficult to find. It contains Graham's first recordings of the novelty tunes "Listen to the Mockingbird" and "Dragging the Bow", as well as the Townsend compositions "Rocking Chair Jig" and "McDowell's Breakdown" (named for his frequent piano accompanist, Phyllis McDowell). By comparison, "Championship Fiddle Favorites" on the London label (GA. 1006, reissued in "stereo" as EBX 4128) is somewhat of a rarity, which is a shame as it's a wonderful album. Like the previously featured Banff LP, these albums were highly influential and inspirational to me, with tunes like "Caber Feigh", "Bows of Oak Hill" and "Lug O' The Spade" remaining an important part of my repertoire to this day. Perhaps in putting these transfers out there, another generation can absorb them as I and so many others did.

Fancy Fiddlin'
Arc 576

Tracks:

1. Blue Water Hornpipe
2. Teenagers' Waltz
3. Listen to the Mocking Bird
4. Rocking Chair Jig
5. Cuckoo's Nest
6. McDowell's Breakdown
7. Caber Feigh
8. Town & Country Schottische
9. Dragging the Bow
10. Peek A Boo Waltz
11. Carnival Hornpipe
12. Hurricane Hazel

Championship Fiddle Favorites
London GA. 1006, also issued as EBX 4128

Tracks:

1. Orange Blossom Special
2. Old Rose Waltz
3. Speed The Plough Reel
4. Bows Of Oak Hill
5. Sugar Tree Stomp
6. Lug O' The Spade
7. Billy In The Low Ground
8. Jack Pine Reel
9. High Level Hornpipe
10. Our Last Waltz
11. Pop Corn Reel
12. Faded Love

*download here*

DON MESSER & NED LANDRY 78s @ archive.org

Tuesday, May 10, 2011


I have posted some 78 era tunes by Don Messer and Ned Landry at the Internet Archive (archive.org). I was motivated to do this after downloading a particularly atrocious rip of Messer's old recording of St. Anne's Reel... If there is a significant response to these, I may do more. Enjoy!

The links are below:

Don Messer and His Islanders - Don Messer's Breakdown, Johnny Wagoner's Breakdown
Apex 26222-A (78rpm)
April 8, 1942
*click here*

Don Messer and His Islanders - Favorite Polka, By The Fireside
Apex 26220-B (78rpm)
March 9, 1942
*click here*

Don Messer and His Islanders - Flanigan's Polka
Apex 26272-A (78rpm)
December 1943
*click here*

Don Messer and His Islanders - Little Burnt Potato
Apex 26273-B (78rpm)
December 1943
*click here*

Don Messer and His Islanders - Rippling Water Jig
Apex 26297-B (78rpm)
December 16, 1947
*click here*

Don Messer and His Islanders - Soldier's Joy
Apex 26290-A (78rpm)
March 8, 1947
*click here*

Don Messer and His Islanders - St. Anne's Reel
Apex 26291-A (78rpm)
March 8, 1947
*click here*

Ned Landry (Violin with piano accompaniment by Bruce Holder) - Soldier's Joy
RCA Victor Bluebird Series 55-3254-A (78rpm)
1951
*click here*

Ned Landry (Violin with piano accompaniment by Bruce Holder) - Devil Among The Tailors
RCA Victor Bluebird Series 55-3254-B (78rpm)
1951
*click here*

Incidentally, back on February 2 of this year, Ned Landry celebrated his 90th birthday! There's a great article about it here.

GERRY ROBICHAUD Down East Fiddler

Saturday, May 7, 2011


Two 1970s LPs are presented here by the great New Brunswick fiddler Gerry Robichaud. The first is 1973's "Down East Fiddling" on the Voyager label, the second is "Maritime Dance Party", a 1978 offering on Alcazar.
Robichaud was born in St. Paul, NB in 1931 and absorbed both the local Acadian style as played by his mother, and the popular "down east" tunes popularized on Maritime radio by fiddlers like Don Messer and Tommy Linkletter. He played extensively in his native New Brunswick until moving to Boston in 1955. There he continued as an expert exponent of this music, playing at the city's French club from the year of his arrival onward, as well as participating in (and often winning) numerous contests throughout the years. A pair of 1960s LPs on the Banff label established his reputation in Canada, much as the present albums did in the US in the next decade. Robichaud was featured in the 1983 documentary film "New England Fiddles" (see link below), and in 1996 Rounder records produced "The Slippery Stick", a spectacular CD featuring Gerry accompanied on guitar by his brother Bobby, playing tunes from their childhood.
Gerry Robichaud is one of the great surviving fiddlers from Canada's "golden age" and is a highly respected player. Much to my delight, a search of youtube finds videos of the 79 year old performing beautifully as recently as March of this year. Some of these clips feature Gerry playing alongside his granddaughter, so we can rest assured his great music will live on through generations.

Click here to see a youtube clip of Gerry and his granddaughter Melissa playing together on March 3, 2011


Click here to stream the 1983 film documentary, "New England Fiddles"

Click here for the detailed biographical notes on Gerry from Rounder's 1996 CD, "The Slippery Stick"

Gerry Robichaud, "Down East Fiddling"
Voyageur VRLP 310-S, 1973

Tracks:

1. Slope Road Jig
2. Golden Wedding Reel
3. Centennial Waltz
4. Sandra's Jig
5. Ottawa Valley Reel
6. Uncle Louie's Clog
7. Don Tremaine's Jig
8. Grand Valley Waltz
9. Rocket Richard's Reel
10. Prince County Jig
11. Mother's Day Waltz
12. Dickie Rogers
13. Peace River Jig
14. Daffodil Waltz
15. David's Jig
16. Twin Sisters

*download here*

Jerry (sic) Robichaud, "Maritime Dance Party"
Alcazar/Fretless FR-201, 1978

Tracks:

1. Walker Street Reel, Temperance Reel
2. East Coast Jig, Buchta Dancers' Jig
3. Shelburne Reel
4. Spider Island Jig, Sue's Jig
5. Maxime Leblanc's Reel, Angus Robichaud's Reel
6. Debbie's Jig, Cadeau's Jig
7. York County Hornpipe, Shelburne Rotary Breakdown, Cuckoo's Nest
8. Gold And Silver Waltz
9. New Brunswick Hornpipe, Rainy Reel
10. Cotton-Eyed Joe, Pacific Slope Reel

*download here*



GRAHAM TOWNSEND World Champion Fiddler

Monday, September 13, 2010


It is hard for me to believe I have never until now posted a Graham Townsend album at the Attic. Graham has never properly received his due as on of the very greatest fiddlers in recorded history. Through his lifespan was relatively short (1942-1998), his accomplishments were enormous, and his technical mastery of the instrument was practically unmatched. It is not unfair to say (because recordings of his playing exist to back up the claims) that he had under his fingers Irish, Scottish, Canadian, Nashville, Bluegrass, and Jazz (Venuti or Grapelli) styles of fiddling.
Legally blind since birth, the native of Buckingham, Quebec began playing before he was ten years if age and by his mid-teens was a formidable force on the Canadian contest circuit, setting many records with his numerous wins. Despite this, he is remembered as a genuine and helpful man with a passion for all those who played and shared a love for his chosen instrument. His influence was definitely immense, yet in the scant years since his death he seems not to be remembered as would be expected of a man who's records were reliable sellers in every market in the country. Graham recorded over thirty albums in his career, which found their way into homes from coast to coast.
The present album was released in 1970, and was probably recorded in either Montreal or Ottawa. It has long been a favourite of mine, as I purchased a cassette copy as a youth of about 13, and listened to that tape until it nearly unraveled. I was always very struck by Townsend's control of the bow, brilliant phrasing and overall taste. On the album he covers tunes from the Acadian (Golden Wedding Reel), Irish (Rakes Of Kildare), Scots (Lord Athlone's March), Metis (Princess Irena) and Ukranian (Bandura Waltz, Zaporozich) traditions with equal aplomb. Although this is only one of the many great Townsend albums recorded through the years, I hope it will continue to be, as it was for me, a fantastic introduction to the fiddle marvel who was Graham Townsend.

Click here for a bio of Graham at the Canadian Encyclopedia.

Click here for liner notes to many of Graham's albums, including extensive biographies.

Tracks:

1. Golden Wedding Reel
2. Princess Irena
3. Bandura Waltz
4. Stack Of Barley
5. Quarterdeck
6. Joys Of Quebec
7. Zaporozich
8. Calgary Waltz
9. Lord Athlone's March
10. Rakes Of Kildare

*download here*

GAETAN POIRIER French Canadian Fiddling


I have always loved this album of traditional French Canadian style fiddling, complete with foot tapping, despite having no knowledge about M. Poirier whatsoever. All I know is that the album was released in 1973 on Buckshot, which was a product of Jack Boswell's Paragon/Marathon/Condor family of labels. The original issue number on LP was BT-9006, but the present transfer of this rarity comes from the 8-Track edition, 8T-9006.
The liner notes (from the LP, a text file of which is enclosed in the download) state M. Poirier hailed from St. Hubert Compté Temis Kuata, Québec. Though no session credits are included, I strongly suspect the great Canadian champion fiddler Graham Townsend is playing the piano on this album, he may well have produced it besides. Townsend produced many LPs for Boswell during this period, and upon careful listening I find many traits of his distinctive piano accompaniment style to be present.
A few of these tracks have popped up on Canadian fiddle compilations through the years, but the complete original album has become yet another obscure Canadian classic. I hope this post goes it's small way in keeping Canada's vast musical traditions alive.

Incidentally, if you are interested in owning, like myself, an 8-Track copy of this rare album, online retailer "8 Track Shack" has it:

Click here to see listing for "Gaetan Poirier, French Canadian Fiddling"

The same retailer also has an 8 Track copy of an album previously featured at the attic:

Click here to see listing for "Eddie Poirier, Fiddling in the Irish, Scottish & Cape Breton Style"

Tracks:

1. Noranda Mine Worker's Reel
2. Macamic Reel
3. My Sister's Reel
4. Hangman's Reel
5. Pointe Au Pic Reel
6. Ste. Isidore Reel
7. Mocking Bird Hill
8. Mountaineer's Reel
9. Winter Carnival Reel
10. The Girl I Left Behind
11. Liverpool Hornpipe
12. Smash The Window

*download here*